Colored
2022 – present


Black and white prints on Hahnemühle paper intervened with acrylic paint.
Dimensions variable.

Leer en español


This series explores the ideological implications of colour through my manual intervention in a selection of black-and-white photographs documenting performances from the history of conceptual art. By colouring these images, I question the supposed neutrality and objectivity traditionally attributed to black-and-white photographic documentation, while foregrounding the subjective, manual and gendered forms of labour that have remained largely invisible in its production and circulation.













Credits

General installation views and details of the exhibition Cristina Garrido. Paintings [Cristina Garrido. Pinturas], The Goma (Madrid, 2022). Images: Roberto Ruiz.
[Colored] Carole Schneeman, Interior Scroll (2022). 35 x 27,5 cm.
[Colored] Gordon Matta-Clark, Splitting (2022). 56 x 65 cm.
General installation views of the exhibition Cristina Garrido. The White Cube is Never Empty, MACS - Grand-Hornu (Hornu, 2025). Images: Isabelle Arthuis.
[Colored] John Baldessari, Hands Framing New York
(2022). 24,7 x 31,3 cm.
[Colored] Bas Jan Ader, I’m too sad to tell you (2022). 33 x 41,3 cm.
[Colored] Yves Klein, Zone de Sensibilité Picturale Immatérielle (2022). 51 x 61 cm.
[Colored] Mladen Stilinović, Artist at Work (2022). 45 x 54,5 cm.
[Colored] Valie Export, Eros/ion (2022). 29 x 35,6 cm.
[Colored] Fina Miralles, El cuerpo cubierto de paja (2022). 43,3 x 33 cm.
[Colored] Yoko Ono, Cut Piece (2022). 37,5 x 32,5 cm.
[Colored] Jiri Kovanda, XXX – November 19 (2022). 24 x 34,5 cm.
[Colored] Marina Abramović & Ulay, Imponderabilia (2022). 52,5 x 53 cm.
[Colored] Marina Abramović & Ulay, Imponderabilia (2022). 52,5 x 53 cm.
[Colored] Trisha Brown, Roof Piece (2024) 36,5 x 49 cm.
[Colored] Robert Morris with Carolee Schneemann, Site (2023) 28,5 x 31,5 cm.
[Colored] Peter Moore, Simone Forti (2023) 29 x 34,5 cm.
[Colored] Piero Manzoni, Scultura viviente (2023) 31 x 32,4 cm.

© Copyright 2024 · Cristina Garrido