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CRISTINA GARRIDO



SELECTED WORKS
2011 - 2023
· The Origin of Forms
· Colored
· The Best Job in the World
· Booth Exhibitions are the Institutions of our Time
· Local Colour is a Foreign Invention
· The (Invisible) Art of Documenting Art
· The Copyist
· Risk Management Paintings 
· Boothworks 
· Best Booths
· Tote Bag Paintings
· Aerial photography does not create space but registers surfaces
· The Social Life of `Untilled (Liegender Frauenakt)´
· An Unholy Alliance
· #JWIITMTESDSA?
· They are these or they may be others
· THIS IS ART NOW VOL.1
· TO WHOM IT MAY CONCERN
 · Veil of Invisibility
· Symptom






Outside the White Cube

2011
Intervention with acrylic paint on intercepted magazine and documentation display,
dimensions variable













This piece emerged from a chance encounter with a Sotheby's at Auction magazine that had been delivered to Jay Jopling – artdealer and founder of White Cube Gallery – the morning of Saturday the 5th March 2011 in front of White Cube's gallery in Mason's Yard (London).
After intercepting the parcel, I removed with paint the images some of the contemporary art pieces from its pages. After this, I made a replica of the plastic bag and sealed it, so that my intervention remained unnoticeable, and anonymously placed it back where I first found it.

 CREDITS:
Installation view of Dialogue de l´ombre double, Centro de Arte Alcobendas (Alcobendas, Spain, 2018)
Video and photographic documentation



Running on Cargo